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The good thing is it has been made possible to play the game on tablets and phones like that, because with a fat finger you can't hover over an invisible link. Well, I would be daft to forbid the Creator to make the game tablet-friendly, but I can't unthink the impression that this is another case where new technology leads to a further nivellement par le bas instead of creating an intellectual boost of the masses.
I'm sorry, but this is the time of the year I get my annual Frankfurter Schule identity crisis.
This will obviously enhance Ariane's corporate image, but it does look like a frankenmix operation to me, a kind of smothering like the KGB used to do on old USSR pictures containing people who fell from grace for one reason or another.
I caught the term frankenmix on a music forum where it was used to describe a remastered, updated and modernised release of a sixties music track by using digital technology and effects.
Despite the record company's press release that it is still the same track, but cleaned up and enhanced in the way the musicians originally wanted it to sound, but were unable to do in the sixties, it actually is a frankenstein-like amalgam, like a field of corn that is slowly contaminated by its genetically modified equivalent.
Matilda Mother, from Syd Barrett's Pink Floyd, comes to mind that was released in a 2010 alternative mix, rumoured to be a patchwork of different takes and third millennium digital wizardry.
Careful with that axe, Abe Plutarch already raised the question around the year 75 in his Lives of the Noble Greeks and Romans.