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Minneapolis, Minn.: University of Minnesota Press, c1996. "The Organizational Shaping of Collective Identity: The Case of Lesbian and Gay Film Festivals in New York." In: A Queer World: The Center for Lesbian and Gay Studies Reader / edited by Martin Duberman. : Madonna and lesbian and gay culture /Sonya Andermahr --She thinks I still care: lesbians and country music /Rosa Ainley and Sarah Cooper --Netting the press: playing with Martina /Diane Hamer --Girls who kiss girls and who cares? "Imagined violence/queer violence: representations of rage and resistance." In: Reel knockouts: violent women in the movies / edited by Martha Mc Caughey and Neal King. Detroit, Mich.: Wayne State University Press, c2003. "Creating, curating, and consuming queer Asian American cinema: an interview with Marie K. Article discusses the dynamics of filmic representations of eroticism and sexuality in heterosexual relationships in recent mainstream films, with emphasis placed on the significance of supporting gay characters.

New York: New York University Press, [1997] "Queer pleasures for queer people: film, television, and queer sexuality in India." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. Contents: Crossover dreams: lesbianism and popular music since the 1970's /Arlene Stein --Queer love affair? "Unification horror: queer desire and uncanny visions." In: Light motives: German popular film in perspective / edited by Randall Halle and Margaret Mc Carthy. Asian American history and culture."Beyond Almodovar: 'Homosexuality' in Spanish Cinema of the 1990s." In: Territories of desire in queer culture: refiguring contemporary boundaries / edited by David Alderson and Linda Anderson. "Slashing the Fiction of Queer Theory: Slash Fiction, Queer Reading, and Transgressing the Boundaries of Screen Studies, Representations, and Audiences." The Journal of Communication Inquiry. Although the social conditions which create the need for resistant viewing are themselves oppressive, subversion of mainstream film holds out some possibility of empowerment for lesbian viewers. : Queer Cultures, Queer Auteurs, and Queer Authorship." (homosexual expression in the films of George Cukor and Dorothy Arzner) Quarterly Review of Film and Video v15, n1 (Nov, 1993):41 (14 pages).

(includes related information on four films with a gay theme)." Time v147, n11 (March 11, 1996):66 (3 pages). 335 Author's Abstract: COPYRIGHT 2000 Haworth Press, Inc.

London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography. "This work examines and critiques the prevalence of "performance spaces" for lesbian identities in films, evaluating how queer femaleness is signified on the screen in contemporary cinema. New York: Oxford University Press, 1988."Queer Bollywood, or 'I'm the Player, You're the Naive One': Patterns of Sexual Subversion in Recent Indian Popular Cinema." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Some of those East Asian film and video representations are examined. Culture and the moving image "Visible silence: spectatorship in Black gay and lesbian film." In: Representing Blackness: issues in film and video / edited with an introduction by Valerie Smith. New York: Routledge, 2002."Lesbian and gay documentary: minority self-imaging, oppositional film practice, and the question of image ethics." In: Image ethics: the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Katz, Jay Ruby. "The third body: patterns in the construction of the subject in gay male narrative film." In: The visual culture reader / edited, with introductions by Nicholas Mirzoeff. "'A Queer Feeling When I Look at You': Hollywood Stars and Lesbian Spectatorship in the 1930s." In: Multiple Voices in Feminist Film Criticism / Diane Carson, Linda Dittmar, and Janice R. Additionally it argues that by inviting mainstream audiences to read the program within familiar televisual flames, Will & Grace can be read as reinforcing heterosexism and, thus, can be seen as heteronormative." [Expanded Academic Index] Author's Abstract: "In a recent essay about gay life in Asia, Dennis Altman (1995) noted that "the past decade has seen the growth of a commercial gay world beyond its few existing bastions such as Bangkok and Tokyo to cover most of the countries of Asia." In a previous article focusing on East Asia, the author pointed out that this development is being complemented by increased film and video representation of gay men and, to a lesser extent, lesbians and other queer characters and communities. K.; New York: Manchester University Press: Distributed exclusively in the USA by St. "The Erotic Female Friendship Film: Lesbianism in the Mainstream." In: In the company of women : contemporary female friendship films / Karen Hollinger. "Pee Wee Herman: The Homosexual Subtext." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. But you don't have to be gay to find that a good thing." (motion pictures depicting a gay lifestyle)(Brief Article) Time v152, n8 (August 24, 1998):73 (2 pages). Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies. "Objects of our affection: gay films are moving into the mainstream. In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception.

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